Dutch painter (b. 1580, Antwerpen, d. 1666, Haarlem).   Related Paintings of HALS, Frans :. | Samuel Ampzing sf | Banquet of the Officers of the St George Civic Guard (detail) | Malle Babbe (detail) f | Willem Coenraetsz Coymans sf | Portrait of a Man af22 |
Related Artists:
Salomon Koninck
Dutch Baroque Era Painter, 1609-1656,was a Dutch painter of genre scenes and portraits and engraver. Koninck was the son of a goldsmith, originally from Antwerp, and was a nephew of Philips de Koninck. Salomon became a pupil of Pieter Lastman, David Colijns, Francois Venants and Claes Corneliszoon Moeyaert. From 1630 he was a member of the Sint Lucasgilde. He moved in the circles of Rembrandt and the academy of Hendrick van Uylenburgh, making many copies of Rembrandt's compositions. His paintings have a warm colour palette and include "the philosopher".
Joachim Wtewael
1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).
CIMA da Conegliano
Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,